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The Brazen Age: New York City and the American Empire: Politics, Art, and Bohemia
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Review
"The Brazen Age is a mesmerizing political, artistic, and intellectual story of New York in the forties…David Reid is an extraordinary historian who writes like a novelist…[and] brings [the era] to life." —The Washington Book Review “The pages of The Brazen Age are sprawling, roving, panoramic and omnivorous… [they] are stuffed with everything: a history of skyscrapers, a tally of Franklin Roosevelt’s cocktails, a shard of Truman Capote’s wit, a litany of best-selling authors you’ve never heard of but want to look up. [Reid] not only tells stories but also channels voices…In his own prose Reid sounds like [Edmund] Wilson and [Alfred] Kazin, sharing their capacious curiosity and emulating their stylistic momentum, epigrammatic solemnity and wryness…[He] becomes a historian of New York’s historians, a literary commentator’s literary commentator, a gossip’s gossip…this wide-ranging intensity is refreshing." —Eric Bennett, The New York Times Book Review“A truly great book. David Reid’s narrative is magnificently rich and complex, but his thesis is simple: with Europe’s metropolises in ruins in 1945, New York became the melting pot of global avant-gardes, the primate city of both an age and an empire. Like Diego Rivera’s great destroyed mural at Rockefeller Center, The Brazen Age magically captures the clamoring convergence of genius, power, and revolt—of dreams, manifestoes, and defeats—that made Manhattan the central power plant of late modernity.” —Mike Davis, author of City of Quartz: Excavating the Future in Los Angeles“[An] exhilarating account…New York City in the 1940s. [With] chapters on iconic New York individuals (Berenice Abbott, Weegee), Superstars (Einstein, Toscanini, Brecht, Stravinsky), politics (the 1948 elections, leftist magazines), and bohemia (Greenwich village). Brilliant…a historical tour de force…Reid delivers his rich history with a bang.” —Kirkus (starred review) “Reid goes in-depth to detail the culture, media, politics, iconic individuals and strange intersections of a city teeming with life. It's a great read.” —San Jose Mercury News“A brilliant, sweeping and unparalleled look at the extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950…Reid has magnificently captured a complex and powerful moment in history.” —Bookreporter “Utterly masterful…a book rich with the colorful personalities of postwar America. [Reid] infuses his narrative with such energy [and] wit that it all hangs together marvelously as a cultural adventure story.” — Steve Donoghue, Open Letters Monthly
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About the Author
DAVID REID is the editor of Sex, Death and God in L.A. and coeditor of West of the West: Imagining California. His essays, articles, reviews, and inter- views have appeared in Vanity Fair, The Paris Review, The New York Times, The Washington Post, the Los Angeles Times Book Review, and in several anthologies, including The Pushcart Prize XII. He lives in Berkeley, California.
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Product details
Hardcover: 528 pages
Publisher: Pantheon (March 22, 2016)
Language: English
ISBN-10: 0394572378
ISBN-13: 978-0394572376
Product Dimensions:
6.4 x 1.7 x 9.6 inches
Shipping Weight: 3.8 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
18 customer reviews
Amazon Best Sellers Rank:
#646,946 in Books (See Top 100 in Books)
The stated focus on 1945-1950 applies only to the discussion of US political and Korean war events, which is quite good, but bears no relation to the rest of the book. Most of the book is concerned with New York based intellectual and artistic people and their contributions; the time period is the entire 100 years prior to 1950. The author certainly has an encyclopedic knowledge of the subject, but there is neither a central theme nor any milestones of progress.
The NY Times review made it seem to me that this book focused on 1945 to 1950.. .that would have been great. What it is: a recounting of the New York artistic, literary, bohemian and publishing worlds from the Civil War to the middle of the 20th century. There is a first chapter about an FDR parade in NYC, but the rest of the book does NOT have that focus on the immediate post-war period. The book reads like the author wanted to turn his lifetime collection of notes on the New York "scene" into a book.... I could become confused about WHICH post-war period he was documenting.
David Reid overpromises with his title. To be sure it is about the arts community in Greenwich Village and the left leaning politics associated with it. However it is not about New York City and what he calls the American Empire of the late 1940s. He rightfully opens his book with FDR’s open car tour in the rain for three million New Yorkers in the late days of his 1944 reelection campaign. After all as Michael Barone wrote so eloquently that New York City was the city that was winning the war. Unfortunately that is the last we see of the average New Yorker. He also doesn’t flush out the role of New York’s foreign policy elite in shaping Truman Administration policy.Reid’s book would have been far better if he placed the political left and the arts community in the context of the hopes and aspirations of eight million New Yorkers who suffered through the privations 15 years of depression and war. What they wanted was to move to the suburbs or the new apartment blocks rising in Queens, buy cars and above all else they wanted to have babies. These wants were hardly a priority for the villagers he discusses. Also nowhere is there a discussion of the important role played by baseball in the lives of the average New Yorker. There were far more discussions about the 1947 pennant races than the potential for a Henry Wallace campaign in 1948. Further in 1947 Jackie Robinson broke the color line in baseball which had far reaching political consequences.What Reid does discuss is the minutia of Greenwich Village going way back to the 1800s and the denizens who lived there. He brings to life the beginnings of abstract expressionism, the rise of Norman Mailer as a great novelist and the differences between “The Partisan Review†and “Commentaryâ€. Then of a sudden he goes into a discussion of the Truman Administration and its growing Cold War posture. To me Truman is a hero, not so to Reid.As a result I was disappointed. Those interested in in the narrow comings and goings of the Greenwich Village of the late 1940s would have a more positive review of the book than me.
But then becomes a numbing list of bohemians, artists, socialists, and crazy characters of mixed interest and little depth a piece.Also, while some backward context was needed, there was not enough focus on the actual period in question.
Just an incredible book, The facts--and there so many new ones to learn here--link together like the lines in an epic but lyric poem. Yes, this is certainly a book about the US in the 1940's, but more: it's about the prodigious mind of David Reid.
Superb intellectual and social history of the city and the US, not just in these five years, but really across the span of twentieth century America. Great grasp of the progressive, avant-garde reality of that time. The title of the book might be off -putting for those interested in broader sweep of things, but do not let it deter you.
The author wanders all over 1890 to the present. Interesting, but more focus needed.
This is a very interesting book. I am finding many facts new to me.
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