Download PDF Keeping Their Marbles: How the Treasures of the Past Ended Up in Museums - And Why They Should Stay There

Download PDF Keeping Their Marbles: How the Treasures of the Past Ended Up in Museums - And Why They Should Stay There

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Keeping Their Marbles: How the Treasures of the Past Ended Up in Museums - And Why They Should Stay There

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Review

"Anyone who thinks that issues of cultural property and "repatriation" are simple should read this book. Jenkins elegantly explores the complexity of individual cases such as the Elgin Marbles and of the big overarching question: who owns culture?" --Mary Beard, author of SPQR: A History of Ancient Rome "The question of how best to protect the world's cultural heritage, and what role museums, nations states, and international bodies play in doing so, or in not doing so, is a vexed one. And in the time of IS, it is an urgent one. Tiffany Jenkins sets out a clear, compelling, and at times controversial case for, and sometimes against, museums as repositories and interpreters of the past in a time of nation building. She argues that we are asking too much of our museums, that we want them to serve narrow ideological purposes of cultural and political identity. There is much to agree with in this argument, and of course, much with which to disagree. That's what makes this book a must-read." --James Cuno, art historian, author, and President and CEO of the J. Paul Getty Trust "Ms. Jenkins has produced a courageous and well-argued book; the howls you hear in the background are those of the contrition crowd." --The Wall Street Journal "Jenkins does an excellent job of portraying the extreme reactions elicited by repatriation conversations." --Nature"A full-throated argument against the repatriation of arguably stolen art and artifacts. To say that it is controversial is a severe understatement. Yet [...] Jenkins makes no attempt to sugarcoat the past." --The Weekly Standard

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About the Author

Tiffany Jenkins is an author, academic, broadcaster, and consultant on cultural policy. Her writing credits include the Independent, the Art Newspaper, the Guardian, the Scotsman (for which she was a weekly columnist on social and cultural issues) and the Spectator. She is an Honorary Fellow in Department of Art History at the University of Edinburgh; a former visiting fellow in the Department of Law at the London School of Economics and was previously the director of the Arts and Society Programme at the Institute of Ideas. She competed her PhD in Sociology at the University of Kent and divides her time between London and Edinburgh.She has advised a number of organisations on cultural policy, including Trinity College, Dublin; English Heritage; the British Council; the Norwegian government; the University of Oslo; Norwegian Theatres and Orchestras; and the National Touring Network for Performing Arts, Norway.

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Product details

Hardcover: 369 pages

Publisher: Oxford University Press; 1 edition (May 1, 2016)

Language: English

ISBN-10: 0199657599

ISBN-13: 978-0199657599

Product Dimensions:

9.3 x 1.1 x 6.2 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#120,160 in Books (See Top 100 in Books)

I’m a sucker for a good historical read. Add ancient scoundrels, purloined artefacts, international plunder disagreements that stretch over millennia, and a dose of politics and you’ll find yourself happily engaged in “Keeping their Marbles.”That the treasures of antiquity — Egyptian, Greek, and Roman and beyond — landed in the World’s finest western museums is not in doubt. Yet how did artwork end up so far afield from original locations, and will they make it back to the homeland. Or should it. Discussed are these themes in this engaging book.Ms. Jenkins makes a compelling case for ancient treasures that found their way to the West, by means questionable or legal, to remain housed where they are. Artefacts in museums remain secure, accessible, and studied by museum pilgrims, historians, scholars, and the curious tourist who become acquainted with fine artefacts of antiquity in its wider historical and cultural context.

While Tiffany Jenkins believes repatriation of the so-called Elgin marbles from Great Briton to Greece is inadvisable, the book charges off in a plethora of tangents: from shrunken heads, to victim complexes, to military adventurism, and on.She makes a good case for the dispersion of important cultural artifacts to distant museums based on their universal humanity and their murky national ownerships, and deals less with the safety, availability, and preservation cultural objects often gain abroad as apposed to being forgotten, endangered, or abused as they sometimes are in modern countries where they happened to have been found.There is a lot here for the museum specialist, cultural scientist, and student of contemporary governments.

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I did not reed this book and am only here to protest as a Greek born in the US who happened to be in Greece with a view of the Parthenon on the night that the towers fell in New York on 9/11/2001. I am here to say that this woman should be boycotted for her book against my heritage.

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