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Dance of the Jakaranda, by Peter Kimani
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Review
"Kimani's novel has an impressive breadth and scope. His illustration of the construction of the railway from Mombasa to the hinterland of Kenya in the early 20th century follows three men--a British colonial administrator, a Christian preacher, and an Indian--whose lives have intersected in unexpected ways."--Los Angeles Review of Books, "Reclaiming Africa's Stolen Histories Through Fiction""A fascinating part of Kenya's history, real and imagined, is revealed and reclaimed by one of its own."--Minneapolis Star Tribune"Transporting the reader through history, the book leaps to the 1960s with the taste of independence in the air. Our protagonist is now Rajan Salim, grandson of Babu. As the doors of the Jakaranda Hotel remain open, everywhere you turn there is a reminder that although the colonialists may be gone and the war may be over, the battle has just begun."--African Arguments, included in list of Must-Read Books of 2018“Dance of the Jakaranda, the new novel by Peter Kimani, is a layered and moving exploration of the history of Kenya, juxtaposing a story of conflict during the nation's colonial period with a narrative set in its early days of independence. It's a novel in which the central characters constantly surprise the readers, and Kiman's explorations of history encompass multiple sides of art and infrastructure.â€--Vol. 1 Brooklyn"Destined to become one of the greats...This is not hyperbole: it's a masterpiece."--The Gazette"But the novel has way more strengths than I can describe here, including the beauty of lyrical narration that combines irony, flashback, humour, allusions and inter-textual references, all of which are expertly manipulated to give the reader a gem of a story populated by composite characters, a story that, though revisiting old themes and times, does so with the freshness that one would expect of established literary geniuses."--Daily Nation"The author has built here not only, on these pages, not only a railroad, but the singular triumph of a highly diverting novel. Besides weaving an excellent plot-line, he offers the reader a classic, understated writing style that haunts much of this book, turns it into a minor masterpiece."--RALPH Magazine, Starred review"Dance of the Jakaranda is colorful and ironic...A fascinating story told in an unforgettable voice."--The Guardian (Trinidad & Tobago)"Peter Kimani, an acclaimed writer and poet, has brilliantly constructed this novel's plot...[His] lyrical prose, such as portraying the train as 'a massive snakelike creature,' and his breathtaking descriptions of 'God's country' bring the beauty of the land before our eyes."--Historical Novels Review"A rich tableau of layers and textures…The book has some brilliant moments of vivid and evocative writing."--Huffington Post"Through lyrical, seductive prose, Peter Kimani weaves an impressively intricate tapestry of events and characters that give much-needed names and faces to an important facet of Kenya's colonial history."--Black Books Quotes"A compelling story conveying a powerful social and cultural critique along with a marvelous portrait of the beauties and wonders of Kenya, all punctuated with tragedy."--New York Journal of Books"This very human face of a multi-racial developing country shines a light on not only our differences but our very basic similarities."--Eyes on World Cultures"An epic account of 20th century Kenya."--Africa Is a Country"In this clever and mesmerizing story, the author takes the reader on a journey to another time and place, where twists and turns provide a truly entertaining ride."--SusannesBooklist"Kimani steps into the minds and hearts of all his characters, regardless of the colour of their skin and decisions they have made, be they good or ill."--A New Day"I loved the storyteller's voice and the gradual unravelling of the secrets of past generations, which had long shadows that reached into the present and affected the young couple at the heart of the story. The historical matter is deftly woven in."--The Girdle of Melian"Dance of the Jakaranda is a rare gem: a new story, a new voice, a new way of seeing the world. This is what a brilliant novel looks like. Peter Kimani is a rare talent, an important new literary voice in Kenya, in Africa, and the world."--Mat Johnson, author of Loving Day"In this racially charged dance of power, the railroad into the interior of the country becomes a journey into the hearts of men and women. It is a dance of love and hate and mixed motives that drive human actions and alter the course of history. Kimani's writing has the clarity of analytic prose and the lyrical tenderness of poetry."--Ngugi wa Thiong'o, author of Birth of a Dream Weaver
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About the Author
Peter Kimani is a leading African writer of his generation. Born in 1971 in Kenya, he started his career as a journalist and has published several works of fiction and poetry. He was one of only three international poets commissioned by National Public Radio to compose and present a poem to mark Barack Obama's inauguration in January 2009. Kimani earned his doctorate in Creative Writing and Literature from the University of Houston's Creative Writing Program in 2014, and is a faculty member at Aga Khan University's Graduate School of Media and Communications in Nairobi. Dance of the Jakaranda is his third novel.
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Product details
Paperback: 344 pages
Publisher: Akashic Books (February 7, 2017)
Language: English
ISBN-10: 161775496X
ISBN-13: 978-1617754968
Product Dimensions:
5.5 x 1 x 8.5 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
30 customer reviews
Amazon Best Sellers Rank:
#333,778 in Books (See Top 100 in Books)
Post colonial literature in Africa is rich and troubling, as it is in Asia. This book cannot stand among the best, and its author cannot compare with the likes of Moses Isegawa or Chimananda Ngozi Adichie. The story is ragged and the characters wooden. Most upsetting is the stereotypes of Kenyan women as defined by their sexuality and fecundity when they are fabled for being such powerful contributors to rural economy and culture. With its potted history and lack of subtlety, I came to conclude that this was a lazy book, caught in a stylized time warp.
I almost quit reading this about a third of the way through, but persevered. In the end, I'm not sure it was worth my time. The story was nominally interesting and somewhat confusing at times. Use of the native language without translation was annoying, but I just moved on. I didn't care for the ending. What happened to Miriam? Did I miss something? The resolution of Rajan's situation was not satisfying and confusing.
Dear Mr. ArmaniI live in Trinidad and Tobago and live in the ruins of the colonial systems imposed by the British complete with a diverse community with strong East Indian presence.. Your book has reminded me of the similarities of the colonizers approach.....divide and rule policies ...even the Black Maria the van that took people to jail. What amazes me is how you have effectively captured the practical approach, thinking and humour of the East Indian. It was so well done that I thought you were East Indian yourself. Excellent work. Congratulations.
I'm not a reader of fiction, but was interested in the book because I do nonprofit work in Kenya. I downloaded a sample, and couldn't put it down from page one!!! Needless to say, I bought the Kindle, and may well buy the hard copy when I get back to the States. It's that engaging!!
Was this supposed to be historical fiction or magical realism? The story jumped from one unlikable character to the next and there was a Big Reveal at the end that felt more like a...huh, ok. There are misspelt words and easily googled anachronisms. I finished it but only under duress for a book club. I'm really hoping I just missed something.
The parts set in the early 1900s are quite intriguing. I wish the book had more of that and less of the 1963 story. Rajan's and Mariam's feels very much like a scaffolding. The novel would do just fine without it.
Didn’t appreciate the way it jumped back and forth in time. Spent too much time initially on Raj looking for the woman who kissed him in the dark. I did enjoy the way it explained everything at the end.
An important part of Kenya's history told from the perspective of the people of Kenya, as it was, from the back stage. Awesome story telling,
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